Description: A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that live musicians play along with or sing along to
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|The #11 is an extension often added to Major 7th and Dominant 7th chords.
|1 6 2 5
|A common turnaround progression
|3rds an Octave up. Commonly played as double stops
|11/8 means that there are eleven quaver (eighth note) beats per bar
|a type of serial music introduced by Arnold Schoenberg; uses a tone row formed by the twelve semitones of the chromatic scale (and inverted or backward versions of the row) synonyms
|12/8 allows you to instead write out 12 straight eighth notes without losing anything from the groove, as 12/8 automatically implies that the eighth notes are grouped in sets of threes.
|A dominant chord that has the 13 and b9 as extentions. Commonly used as a diminished scale voicing. Formula: 1 3 5 b7 b9 13
|Odd Time Signature
|2 Notes Per String
|Laying out the fretboard with 2 notes per string.
|2 String Sweep Picking
|Sweeps across 2 strings
|A system for arranging notes on the fretboard
|2nds / Seconds
|Interval of a 2nd. e.g. C to D
|3 Notes Per String
|Scales laid out 3 notes per string on the fretboard
|3 String Sweep Picking
|Sweeps across 3 strings
|Time signature with 3 quarter notes to a bar
|A particular fretting pattern alternating between 1 note per string and 3 notes per string
|4 Notes Per String
|Laying out the fretboard with 4 notes on each string.
|4 String Sweep Picking
|Sweeps across 4 strings
|5 String Sweep Picking
|Sweeps across 5 strings
|The time signature of 5/4
|5/8 means that there are five quaver (eighth note) beats per bar
|Time signature with 6 eighth notes to a bar
|A 7 string guitar
|7/4 means that there are seven crochet (quarter note) beats per bar
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