Why you should try...extreme-metal
First we brought you some brooding post-metal then some good old thrash. But now it’s time to get extreme.
The Metal Meltdown sees us give away a new track each week, and this one's for the headbangers. Thanks to Toontrack’s metal library, Damir Puh was able to make a pummelling track befitting the term “extreme”. Richard Henshall then made it his own and the result is wonderful. You can watch it below.
But first, let’s answer that burning question…
What is extreme-metal?
The very idea of genres does sometimes get people’s knickers in a twist. You know, “stop defining music as one thing” and all that. Luckily for them, this week’s genre throws a net over many different styles.
Within all those styles expect music that is rarely fit for radio. It’s aggressive, dark, and sometimes dissonant. Melody? Not all that important. This is very much an umbrella term for all those Marmite metal genres. It’s a love or hate thing.
When looking for inspiration for the track, we mainly touched on industrial, death, tech and black metal. (There’s a playlist below for more digging)
Why will I like it?
It’s a bit mad! Everything is turned up to 11 and if you’re in a bad mood, it’s normally a great outlet.
Are there any JTC releases to help me with the style?
Morgan Reid’s JTC debut is without a doubt the heaviest we have gone to date. The drums are straight from the Cattle Decapitation playbook and really we had no other choice but to call it Relentless Shred. Pure metal madness.
Next, we have Paul Wardingham’s 20 Epic Metal Licks. The backings are intense, the playing is full throttle and there are a ton of technical lessons to dig into.
Finally, James Norbert Ivanyi adds a dash of prog to proceedings with Dark Progressive Riffs. Not extreme in style, but in note choice, this will give you plenty to play with.
Which guitarists should I check out?
An icon of the alternative. As a founding member of Strapping Young Lad, he created cacophonous tracks built around a huge “wall of sound” production. His style isn’t overly shreddy, but he can shred. There are moments of brutality and vocals to match surprising melodies. The whole extreme nine yards.
Wacław “Vogg” Kiełtyka is the main songwriter behind death-metal icons Decapitated. His playing features a honed and perfected blend of technicality, brutality and accuracy. The riffs are enormous, catchy, and powerful, and the lead work is blindingly fast. His fans come in the shape of Olly Steele, Ola Englund and to quote Misha Mansoor “Goddamn Vogg is just a force of nature!”
There are few bands that can be credited with inventing a genre. Meshuggah were part of the birth of djent, but they go beyond just that. One driving force of that band is Frederick Thordenal. A scientist of odd rhythms and for anyone who really likes the “wild” side of music, his solo album/side project “Sol Niger Within” really is a worthwhile exploration.
Can I get a playlist?
You can! As we said from the outset, there is a lot of ground to cover with extreme metal, so see this as a springboard!
Before you go…
Check out Richard Henshall’s take on the Toontrack Metal Meltdown Extreme-Metal track